![]() ![]() ![]() Types of reverb are often named after the spaces they are imitating-“hall,” “chamber,” “cathedral,” and “cavern” are common reverb types. The amount of reverb is sometimes described in terms of wetness-a “wet” sound has a lot of reverb, where a “dry” sound has very little. Generally, turning up the reverb will make the sound hang in the air for longer. It’s called “reverb” because it makes the sound reverberate-you can always tell if reverb is being used when the voice stops but you can still hear it hanging in the air, or reverberating. Perhaps the most well-known effect, reverb is an absolute must for any pop vocal track. After we’ve explored what these effects sound like, I will provide a basic description of how to apply them in Garageband, which should generally translate to other DAWs, along with some beginner mixing tips and gear recommendations to get you started. ![]() Both of these will have knobs that you can turn to adjust the parameters of the effect, and I will discuss what those knobs would typically do. As you listen to these effects, bear in mind that you will accomplish most of them with either effects pedals, which are hardware, or plug-ins, which are software in your DAW. We will continue analyzing Billie Eilish’s When We All Fall Asleep, Where Do We Go? and Lizzo’s Cuz I Love You for vocal effects, along with select other recordings when necessary. Once you have the terminology for them, you’ll be able to listen closely to how they’re used and once you learn a bit about how to apply them, you’ll be ready to experiment and find the effects you like best for your own sound! If you listen to pop music, you’ve heard these effects. It’s important to remember, if you’re feeling overwhelmed by the prospect of using vocal effects, that you probably already know what these sound like, even if you don’t know the proper terminology to describe them or how they’re achieved. A judiciously applied reverb, delay, distortion, or autotune can affect the style and overall sound of the vocal, and make all the difference to the arrangement.Įffects can perhaps be the most daunting aspect of vocal production to singers, because the lingo and technical knowledge needed to apply them can be a barrier. Just as crucial to a successful vocal arrangement are the effects a producer uses. In the first part of this series, we discussed the different vocal layering and arranging techniques common in pop vocal production, in order to help singers produce their own vocal arrangements. ![]()
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